Showing posts with label rose. Show all posts
Showing posts with label rose. Show all posts

Sunday, January 17, 2010

Guns N' Roses in Calgary


Calgary, Alberta - January 16, 2010

Chinese Democracy
Welcome to the Jungle
It's So Easy
Mr. Brownstone
Sorry
Richard Fortus solo
Live and Let Die
If the World
Rocket Queen
Dizzy Reed Solo
Street of Dreams
You Could Be Mine
Knockin' On Heaven's Door
My Generation
I.R.S
Axl Rose piano solo (Someone Save My Life Tonight)
November Rain
Ron Thal Solo (Pink Panther)
Shackler's Revenge
Liquor & Whores (w/ Bubbles)
Out Ta Get Me
DJ Ashba solo
Sweet Child O' Mine
This I Love
Nightrain

ENCORE

Madagascar
Better
Patience
Paradise City
O Canada (Ron Thal solo)

Wednesday, January 13, 2010

Guns N' Roses Blow Into Winnipeg


Photo: "The Bay" © Bryan Scott
"Yo Vancouver!! D'oh!! Bkstage in Winnipeg, Danko's on, 26F HEATWAVE!! Excited 2 get this rolling. In r off time we'll b helping Mounties flush out Al Qaeda. (What's that aboot, Eh? jk) Good 2 see Baz! LET'S DO THIS!!!

On a side note, pretty low n' selfish usin' the devastation in Haiti 2 start (false) reunion rumors. R hearts n' prayers go out to the Haitian people."
-Axl Rose

Winnipeg, Manitoba - January 13, 2010

Intro
Chinese Democracy
Welcome to the Jungle
It's So Easy
Mr. Brownstone
Shackler's Revenge
Richard Fortus solo
Live and Let Die
Sorry
If the World
Dizzy Reed solo
Street of Dreams
Jam
Better
You Could Be Mine
DJ Ashba solo
Sweet Child O' Mine
I.R.S.
Jam
Axl Rose piano solo
November Rain
Jam
Scraped
Ron Thal solo
Out Ta Get Me
Knockin' on Heaven's Door
Nightrain

--- ENCORE ---

Madagascar
Jam
This I Love
Frank Ferrer solo
Rocket Queen
My Generation
Patience
Paradise City

Thanks to Here Today ... Gone to Hell! for the updates.

Saturday, December 19, 2009

Guns N' Roses Back in Tokyo for Asian Invasion Tour Closer


Tokyo!! Good to be back!! Complete w/a refreshing n' now traditional complimentary morning earthquake!! Yeah boyeee!! We wanna shake some shit up 2moro nite!!

I wanna thank everyone 4 comin' out on r Asian Invasian GN'R "Bar Trek". To boldly go where we'd last been n' hadn't been b4!! Means a lot!! It was pure n' utter chaos gettin' this rollin' n' you've made it all worth it!! Such amazing n' supportive people everywhere!! Thank u again 2 everyone who came out n' everyone who helped pull this together.

Special thanks 2 Matzka, Gum X n' Mucc 4 their enthusiasm n' great jobs performing w/us!! See everyone that's down w/the Tokyo Dome here 2moro nite where in addition 2 Mucc, AK48 just added will also be opening!! Peace!!

http://twitter.com/AxlRose

Tokyo, Japan - December 19, 2009

Chinese Democracy
Welcome to the Jungle
It's So Easy
Mr. Brownstone
Catcher in the Rye
Sorry
Band Jam (I Want You Back, Jackson 5)
If the World
Richard Fortus solo (James Bond Theme)
Live and Let Die
Dizzy Reed solo (Ziggy Stardust)
Street of Dreams
Band Jam
You Could Be Mine
Rocket Queen
My Michelle
DJ Ashba solo
Sweet Child O' Mine
Shackler's Revenge
I.R.S.
Band Jam
Axl Rose piano solo
November Rain
Band Jam
Whole Lotta Rosie
Knockin' on Heaven's Door
Scraped
Prostitute
Jam
This I Love
Frank Ferrer solo (We Will Rock You)
Out Ta Get Me
Ron Thal solo (Pink Panther Theme/Don't Cry)
Don't Cry (Axl, Ron and DJ)
Nightrain

--- ENCORE ---

Madagascar
There Was a Time
My Generation
Better
Patience
Nice Boys
Paradise City

Thanks to Here Today ... Gone to Hell! for the updates.

Wednesday, December 16, 2009

Guns Fuckin Rock Osaka


Guns N' Roses Continue to Deliver Playing a Massive Set Featuring Twelve Songs From Chinese Democracy and Resurrecting AC/DC's Whole Lotta Rosie

Osaka, Japan - December 16, 2009

Chinese Democracy
Welcome to the Jungle
It's So Easy
Mr. Brownstone
Shackler's Revenge
If the World
Richard Fortus solo
Live and Let Die
Sorry
Rocket Queen
Prostitute
Dizzy Reed solo (Ziggy Stardust)
Street of Dreams
Scraped
Frank Ferrer solo
You Could Be Mine
Band Jam
Axl Rose piano solo
November Rain
Band Jam
I.R.S.
DJ Ashba solo
Sweet Child O' Mine
Band Jam
Catcher in the Rye
Out Ta Get Me
Ron Thal solo (Pink Panther Theme)
Knockin' on Heaven's Door
Whole Lotta Rosie
This I Love
Nightrain

--- ENCORE ---

Madagascar
Better
Sonic Reducer (Dead Boys cover, Tommy Stinson on vocals)
Patience
Don't Cry (tease)
Paradise City

Thanks to Here Today ... Gone to Hell! for the updates.

Monday, December 14, 2009

Axl Beats Down a Pap at LAX (...and the Media Scuttlebutt)


So much Guns N' Roses news ... so little time ...

Regarding the Axl/Paparazzi incident at LAX on December 10:

The first account came via LiveDaily (owned by Ticketmaster/Irving Azoff BTW),
At Los Angeles International Airport, Rose got into a scuffle with a paparazzo that ended up with a few bloodied participants. Even with Rose flying to Taiwan there is still concern about whether he will be in the mood to perform, a question that had been raised earlier in the week when the rest of the band flew to the gig without the singer.
TMZ picked up the story the next day, and they followed-it-up the next day with this video which proved that the whole thing was true:



Interestingly, a guy named "Tom" posted the following comment on page 2 of the TMZ article,
They'll probably delete this but this whole thing is a scam. I was at the airport that night and I'm actually in the video ... The paparazzi were taunting Axl for ages and the whole thing kicked off when one of the paparazzi knocked into his mom. This video looks as if it were shot by somebody at the airport but was in fact shot by one of the paparazzi team. We saw them all standing together laughing about this afterwards. So they basically MADE this news knowing that taunting him and shouting swears at him would piss him off. I think this is disgusting behavior from the press, shouting insults and curse words around families to elicit a response from a celebrity. You should be ashamed of yourselves. Also, if this is disputed I am prepared to go on record to expose the lengths this reporters will go to.

Posted at 12:11PM on Dec 11th 2009 by Tom
Guns N' Roses official(?) Facebook page issued a statement regarding the fracas,
Axl Rose Accosted by Belligerent Paparazzi at LAX

Lead singer of Guns N' Roses unhurt in encounter with unruly photographers


(Los Angeles) December 10, 2009 –
Axl Rose, lead singer for the legendary rock group Guns N' Roses, was unhurt last evening when he was accosted by an unruly group of paparazzi at Los Angeles International Airport (LAX).

At the time of the incident, Mr. Rose was en-route to Taipei, Taiwan, to kick-off Guns N' Roses’ tour of Southeast Asia including shows in Taiwan, Korea and Japan.

Mr. Rose, who was about to enter a security checkpoint at LAX when the altercation took place, was approached by a group of unchecked and unruly photographers who became aggressive with the singer and female members of the traveling group.

Mr. Rose was not injured during the unprovoked attack and was able to board his flight without further incident.
Next up, Rolling Stone published these awesome pictures of the scuffle:





If you're unfamiliar with the members of Axl's entourage, the young man in the leather jacket is Fernando Lebeis, son of Axl's personal assistant, Beta Lebeis (not pictured) who was apparently struck by the paparazzo "They hit our moother." The beautiful young woman restraining Mr. Rose in none other than Sasha Volkova, a model who has been linked to Axl for man years. Her artwork appears in the Chinese Democracy booklet.

But wait - there's more! This morning at 2:30 AM, Axl Rose released a statement via the band's official Facebook page. In it, he denies releasing the initial statement (above), "calls-out" manager(?) Irving Azoff, the press, and Kim Jong-il:
Axl Rose denies releasing press statement regarding rumored LAX incident. "I did not release any statement or authorize either any statement or anyone to release a statement regarding anything at any airport anywhere.

We had recently began working with newer individuals in management in relation to our current Asian tour in support of our Guns N' Roses album "Chinese Democracy" in addition to Irving Azoff's though as it happens we are once again touring Asia without management of any kind.

Imo this non sense may be some type of manufactured or publicity stunt.

We're looking forward to performing in Osaka and Tokyo Japan doubling our pyro show and with our "new" full stage as local requirement have limited us on its use in our last performances.

Thanks to everyone who's come out to see us. It's been really fun so far and the addition of our new guitarist Dj Ashba joining us along w/ guitarists Ron Bumblefoot Thal and Richard Fortus, gives the night a kick in the pants.

Hope to see the rest of you soon!!

And to any publications running this; please feel free to tack on whatever negative agenda supporting nonsense you generally do (You know who you are!!). After all it's only someone else's livelihood you media police state, no fun, spoil sport, communist bastards.

Peace!!"

The band's currently in Seoul, South Korea where the promote was "sorry" to inform them they would not be able to use a helicopter from the airport to the venue as North Korea would "wonder" what it is!!
CLASSIC AXL ROSE!

This stuff is too good.

Sunday, December 13, 2009

Seoul Monster



Seoul, South Korea - December 13, 2009

Chinese Democracy
Welcome to the Jungle
It's So Easy
Mr. Brownstone
Shackler's Revenge
There Was a Time
Richard Fortus solo (James Bond Theme)
Live and Let Die
Frank Ferrer solo
Sorry
Rocket Queen
DJ Ashba solo
Sweet Child O' Mine
Dizzy Reed solo (Ziggy Stardust)
Street of Dreams
You Could Be Mine
Band Jam (Black Betty)
My Generation
Band Jam
November Rain
Take a Walk on the Wild Side
Better
Knockin' on Heaven's Door
Ron Thal solo (Pink Panther Theme)
Paradise City

Thanks to Here Today ... Gone to Hell! for the updates!



Friday, December 11, 2009

Axl Rose 2009: First High Quality Photos Surface





Thanks to Here Today ... Gone to Hell!

Guns N' Roses Hit Taipei


Guns N' Roses Return to the Stage With an Epic Set
Featuring Eight Songs From Chinese Democracy




Taipei, Taiwan - December 11, 2009

Chinese Democracy
Welcome to the Jungle
It's So Easy
Mr. Brownstone
If the World
Live and Let Die
Richard Fortus solo (James Bond Theme)
There Was a Time
Frank Ferrer solo
Tommy Stinson solo
My Generation (Stinson vocals)
I.R.S.
Rocket Queen
Dizzy Reed solo
Street of Dreams
DJ Ashba solo
Sweet Child O' Mine
Band Jam
November Rain
Ron Thal solo (Pink Panther Theme)
You Could Be Mine
Shackler's Revenge
Knockin' on Heaven's Door


--- ENCORE ---

This I Love
Band Jam
Better
Paradise City

Setlist courtesy of Here Today ... Gone to Hell!



Follow Axl Rose and Guns N' Roses on Twitter:
http://twitter.com/axlrose
http://twitter.com/gunsnroses

Thursday, November 19, 2009

More "Spies"


Today's update comes courtesy of DJ Will (KNAC) who posted this on the Metal Sludge Gossip boards. The info comes via Rancid Punks over at MyGNR
"I'm shocked this guy brought a camera & reported anything ... after the head production manager made two announcemets ... No Cameras!

I was there one night and it was pretty cool I must say.

No Axl of course.

Well, without giving away the full set (I promised Del!), they did a complete run through of about 17-18 songs for about a week. Lots of visuals that complement each track - pyro, spots,etc. Nice lighting truss design plus a fucking bad ass re-working of a theme song that leads into "Live & Let Die" written by Richard Fortus. Overall well done.

I loved "Shackler's Revenge," "Better," "Prostitute" & "Rocket Queen" live.

FYI: That middle ramp/riser has Axl's grand piano under it for quick access."
Thanks to Rancid Punks and DJ Will for this sneak peak into what is shaping up to be a "monumental" stage show.

Saturday, November 14, 2009

Welcome to the Ballpark, Axl Rose


By Dave DeLand

I've always assumed that even when Axl Rose is a bald, toothless old man (which may be a few years) and has faded into complete professional obscurity (which has already happened), he'll still be raking in the royalties because of how often the introductory riff of "Welcome To The Jungle" gets played at professional sporting events.

I've also assumed that the Guns N' Roses rock anthem that Rose's band recorded 22 years ago must be just about the most frequently played song (or at least the most frequently played opening 15 seconds) in sports history.

It has blared out of the Metrodome's speakers about a dozen times at every Minnesota Vikings home game for the past two decades, and it seemingly gets more exposure at sports venues than any other song.

But as it turns out, it's not even in the Top 10.

That's according to the folks at Broadcast Music, Inc., the organization that licenses much of the music played in the United States and keeps track of such things — meticulously.

"That's how we pay the songwriters. In fact, when songwriters get their royalty statement, it tells them which team plays their song," said BMI publicist Jerry Bailey.

BMI annually releases its Top 10 list of music most frequently played at National Football League, Major League Baseball and National Hockey League games. But it charts everything that gets played.

"We paid on 13,476 titles during that distribution period (July 1, 2008-June 30, 2009)," Bailey said. "Some of those titles, if they're very heavily played by a certain team, that can move it up."

One word of caution before we get into the details of the list: If you're a Baby Boomer like myself, this list might make you feel sort of old (I was completely unfamiliar with Nos. 2, 3, 7, 8, 9 and 10).

So here, without further delay, is the Top 10 (and the performing artists) for the 2008-09 cycle:

No. 1 — "We Will Rock You" (Queen). This 32-year-old favorite has always been popular at sporting events because of its "stomp stomp clap" element, and nobody knows that better than Minnesotans — the two teams that played it the most were the Minnesota Wild and the Dallas Cowboys. (Funny: You'd think the Cowboys would trend toward "Jailhouse Rock").

"Did you watch much of the World Series? You could hear the 'stomp stomp clap' in every game," Bailey said. "Crowds just love to do that 'stomp stomp clap'."

No. 2 — "Pump It" (Black Eyed Peas). It was No. 1 in the previous year, although even after listening to it on YouTube it didn't ring a bell for me.

(Apparently, 53-year-olds aren't the Peas' target pod).

No. 3 — "Twilight Zone" (2 Unlimited). At first I thought this was the 1982 song by Golden Earring, but as it turns out it's a techno number by another Dutch band. It's often used when starting lineups are introduced.

"Teams are trying to cover all demographics," Bailey said. "Some songs just become ingrained in the minds of sports fans. It's a similar phenomenon to Christmas music in a way."

No. 4 — "Song 2" (Blur). Thanks to the ultra-thick English accent of the lead singer, this song's only recognizable lyrics are "Whee Hoo." But that works at the arena, obviously.

No. 5 — "Rock and Roll Parts 1 and 2" (Gary Glitter). Another song with minimal lyrics (the only discernable word is "Hey"), this has been a sporting venue staple since 1972.

No. 6 — "Black Betty" (Ram Jam). I hated this version when it came out in 1977, and it hasn't gotten any better since then.

No. 7 — "Cowboys from Hell" (Pantera). Pantera isn't exactly easy listening, and you probably wouldn't play this for your grandmother (unless Granny is really into heavy metal). This would sound more at home at OzzFest than at a baseball game.

"What you're looking at on that Top 10 list is a mash between baseball, hockey and football," Bailey said. "Teams in different leagues play very different music. Hockey teams have a long season, and they play more music than football teams."

No. 8 — "Stronger" (Kanye West). I'm not familiar with this one, or the following two: A little bit of techno rap goes a long way with me.

"Generally, the music is selected to rally the fans," Bailey said. "Most of this music is music that really makes you want to dance or clap."

No. 9 — "Let It Rock" (Kevin Rudolf featuring Lil Wayne). Sorry, don't know it. I listened to 30 seconds of it on YouTube: That's enough.

No. 10 — "Put On" (Young Jeezy featuring Lil Wayne). Ditto. Lil Wayne gets around, huh?

I don't have strong opinions about a lot of the songs in this year's Top 10, although I'm sure I could get sick of them all fairly easily.

Some others that aren't in this year's Top 10 — many of them Baby Boomer mainstays — have already fallen onto my "never need to hear this again" list, largely because of overplaying at sports arenas:

"Old Time Rock N' Roll" (Bob Seger). Seger is kind of hit-or-miss, and when he hits he can knock it out of the park. This, however, isn't one of them, and the Twins played this song to death in the '80s and '90s.

"Start Me Up" (Rolling Stones). Again, I know this is targeted at Boomers like me, but these guys should have retired 30 years ago.

"Glory Days" (Bruce Springsteen). I love The Boss, but this has gotten so overplayed that it's just a cliche.

"Bittersweet Symphony" (The Verve). This is actually the official team song of the Seattle Seahawks. But it's a little too symphonic to be good sports arena music, and I have issues with anybody who calls themselves "The Verve."

"Welcome To The Jungle" (Guns N' Roses). Enough, already. I like ice cream, but after 20 gallons or so I tend to get sick of it. I also own this CD, but I'll probably never play it again because I've heard that opening riff 847,000,000 times.

But Axl probably doesn't mind — as long as the royalty checks keep coming.

sctimes.com

Friday, November 13, 2009

Bob Dylan, the Creative Process and the Media


I borrowed a stack of CDs from the library this week. A mixture of old and new stuff: a Hollies anthology, the Franz Ferdinand disc (which I'd never heard and I like a lot), and a very good, live, Faces set.

One of them was Bob Dylan: No Direction Home: The Soundtrack. The liner notes are fantastic, and I had to share the following piece, written by musician Al Kooper, which I found to be particularly enlightening, especially this passage:

"With the success of the Highway 61 Revisited album, the pressure was on. New producer Bob Johnston suggested that Bob record the follow-up in Nashville with players that Johnston would handpick.

Dylan agreed to this gamble but insisted on bringing Robbie Robertson and myself along so that he would feel "comfortable" recording away from New York City.

Bob was still completing many of the songs when we arrived in Tennessee. A piano was installed in his hotel room. During the days, I was summoned to Bob's room. Bob would teach me the song he was trying to complete, and like a not-yet-invented cassette machine, I would sit at the piano and play the song over and over again, while he finished the lyrics. After a day of this, I made a suggestion to him:

'Bob, why don't you come to the session an hour late tonight? I will get there and teach the band this song and any others we worked on today. That way, you can just walk in, and we will know at least one or two songs that you won't have to sit through while we learn them.'

He assented; it worked out great that first night, and became the modus operandi of the rest of the sessions.

However the reverse could and would happen from time to time. Bob would arrive, go to the piano in the studio and start changing a lyric.

Sometimes he would be in there for four or five hour stretches. The band took it in good humor and played pool and ping pong, watched TV and catnapped.

One night a journalist somehow slipped in with a friend and was asked to come back later as Bob was writing. He returned four hours later and Bob appeared to be in the exact same position at the piano as when the journalist was originally expelled.

'Man...what is he ON?' the reporter asked no one in particular in a loud voice.

'Columbia Records.' Albert Grossman, Bob's manager replied as he showed the gentleman to the door."



The point is, at least for me, that the creative process is something that takes it's own time, and that the media (myself included) is always looking for the sensational story.

Now obviously one cannot compare the creative output of a writer as prolific as Bob Dylan (34 studio albums) with someone like Axl Rose who took 14 years to put out one record - but the point still stands, and it's food for thought.

Monday, November 9, 2009

GN'R Blames Major League Baseball for Band's Silence on Tour


Band has it's lackeys "call-out" MLB Senior Editor Doug Miller.

We've all noticed the lack of updates on GunsNRoses.com ever since the recruitment of DJ Ashba (March 21, 2009).

With the Japanese dates coming up and the Canadian ones scheduled, one would expect the band to actually get off their asses and update the official website with the usual fluff-talk about how it's going to be great, et al. The effort is mostly symbolic; that way people would know that the band acknowledges the dates and is committed to them. Last month, Mysteron seemed to agree with this on this back at HTGTH:

"It is important though that the band add credence by putting these dates on their official website. An official announcement would be even better."

However, yesterday, Mysteron, a beloved 'insider' at the HTGTH community, went completely around and posted the following:

"I want to apologize to GN'R for my comments. MLB currently own the rights to, and control input to, the official GN'R website. However ...dot dot dot Hopefully Guns can find another official way to communicate with the fans in the meantime."

MLB.com and former GN'R manager Merck Mercuriadis came into an agreement of sorts in 2006 regarding the online shop features of GN'R dot com. While the domain listings maintain the ownership of GNR.com is solely in the hands of our man Axl, technical and administrative contacts direct one solely to MLB.com staff. Go figure.

MLB.com have apparently stepped back of providing content around the Japanese dates of the 2007 tour. Before this, most (if not all) articles on the GN'R site were written by their local Senior Writer Doug Miller, who currently continues to write for MLB.com. However, the website managed to be updated semi-regularly up to the recruitment of DJ Ashba, with or without MLB.com's direct consent.

So, bummer. The CD release came and went and no-one at MLB had a problem with the content. It's only a year after that GN'R, having clandestinely sneaked in numerous updates, have finally reached the end of their rope.

I do hope Guns find another official way to communicate with the fans. GN'R Online was an Interscope-manned site, who must've forgotten the password somewhere in early 2003, before transforming it more into the line of their generic band websites.

The only dangerous thing about the modern GNR is their dangerously sloppy management.

Thanks to copperye at GNREvolution who originally wrote this piece.

For futher discussion.

Thursday, October 15, 2009

Major Announcement Coming Monday Morning





The show will be at the Bell Centre (formerly known as the Molson Centre), in Montreal, Quebec, on January 27.

Tickets go on sale October 24.
http://www.geg.ca/

Discuss

Monday, September 28, 2009

Jungle Live Video Shoot 8/2/1987


This was shot live on the day Guns did the "Jungle" video shoot.



Check out the GN'R club days book Reckless Road: Guns N' Roses and the Making of Appetite for Destruction. It covers Guns N' Roses' first 50 gigs from the Sunset Strip 1981-1987.

RecklessRoad.com for more info

Marc Canter's YouTube Channel

Thursday, September 24, 2009

South Korea Show Announced


Sunday, December 13, 2009 - Guns N' Roses at the Olympic Park Gymnastics Stadium in Seoul, South Korea.

Access Entertainment

Guns N' Roses Asian Tour 2009:

December 11 - Taipei
December 13 - Seoul
December 16 - Osaka
December 19 - Tokyo

Related Posts: GN'R Asian Tour: Japanese Dates Announced
Guns N' Roses to Rock Taiwan December 11

Friday, September 4, 2009

Slash: "Why I Chose Not To Continue On With GN'R"


There isn't anything new here. The following comes from Slash's 2007 autobiography. For those of you who haven't read it, and for those of you who've forgotten, I've reproduced it here.


"I'd like to make one more thing pretty clear, because this is another question that haunts me almost every day, usually because it's asked by people who don't know me at all. I'd like to state, very simply once more why I chose not to continue on with Guns N' Roses so that no one feels the need to ask me this ever again when they see me on the street.

Here it goes:

1) the constant disrespect for all involved by going on late for no good reason night after night after night,

2) the legal manipulation that Axl forced on us, from demanding ownership of the name to downgrading us, contractually, to hired hands, and

3) losing Izzy and Steven, who were such an integral part of the band's sound and personality ... without them, the band no longer had its original chemistry.

My departure had nothing to do with artistic differences, as many people claim to know. It was not as simple as "Axl wanted synths and Slash was old-school." It had nothing to do with Axl wanting to go digital and Slash staying analog. To think that dissolving the kind of band and the kind of musical chemistry we had over something so trivial is just asinine.

It's true, I am old-school, and I do like keeping it simple — but I've never been close-minded. If anything, I was more than flexible and willing to try any kind of recording technique or explore any new sound, so long as I was doing so on an equal playing field with musicians that worked together toward a common goal. I would have hung in there with Axl through an industrial record or whatever else he wanted to try if the creative vibe between us was positive. My flexibility is the only thing that kept me in the band as long as it did — that's how a team works.

Unfortunately, we stopped being a team somewhere along the way.

As for the rest of how it all played out, I learned, looking back on it all, that the people Axl hired to "represent his interests" through all of the band's undoing could have been a bit smarter than they were. Maybe intelligence has nothing to do with it: had they cared enough about him and about Guns N' Roses as a band to have advised him to pursue any other path than the one he did this story may have had a different ending. Anyone could have foreseen the lack of positive outcome that lay ahead on the road Axl chose to go down. But then again, maybe that is how he wanted it."



Related: Axl Rose Sets the Record Straight

Bumble Puts His Foot In His Mouth

A message from Ron "Bumblefoot" Thal regarding his comments in the i heart guitar interview:


Regarding the end of the interview about GN'R touring, it came off in the printed transcription to sound like I was citing the economy like some lame excuse...

"It’s just that when it comes to battling the economy ... there are so many variables that could make it not work."

I wasn't saying the sole reason GN'R hadn't toured was due to the economy, or the economy only - folks gotta read the whole sentence, up to where it ends with a period.

You know, the period. As in "I'm complaining about Ron's interview because I have my period."

There are "many variables that could make it not work."

In other words, as I've been telling everyone for years, I don't give any specific info about GN'R's business in my own personal interviews.

Don't ask Azoff about my guitar parts, don't ask me about GN'R's business.

The BumbleForum


This whole charade is pretty sad, and I actually feel bad for Ron who is a nice guy and a talented musician.

For further discussion: Bumble Puts His Foot In His Mouth

Tuesday, September 1, 2009

Marc Canter: Chinese Democracy Was Recorded in 3 Years


The author of Reckless Road opens up to Argentinian Guns site Daily Better.

Marc Canter on Izzy Stradlin's departure from Guns N' Roses:


"There was a lot going on with Izzy. He was paranoid of all the law suits that were coming in from the riots. He was sober and didn't want to hang out with Duff and Slash who were not. Plus it didn't help that they were getting drunk all night while they were waiting to go on late. Also Slash was still using heroin. Izzy was not happy about the late fees the band was paying for from the venues, he didn't want to spend a ton of money for the videos. He called me right before he quit to see if I would make him a video of all the times they played "Don't Cry" from the old days. I guess he thought that they could use the footage for the MTV one. It was just no longer his scene. There could be a few more reasons I never asked him about it. The things that I just said are things that I have put together myself."

On the breakup of Guns N' Roses:


"They wanted different things. I don't blame Axl or Slash for the split. I think they wanted different things at the time. I wished that Axl would have put out a solo record in 1996 like Slash did and then they may have been ready to work together again. The problem is if you ask them why they split both of them will give to a one word answer - each other's names."

On Chinese Democracy:


"I love the new stuff and it didn't take as long to make as people think. Some people think that it took too long to make. It took 2 years to put a band together. Most of the record was done in about 3 years but there were many things to work out with the record compnay and management and while that was going on [Axl] added some things to it."

You can read the full interview here.

You can purchase Reckless Road (Marc Canter's definitive book on Guns N' Roses) here.

© Daily Better Group 2009
Translated by Natalia Salaberry