Showing posts with label eric. Show all posts
Showing posts with label eric. Show all posts

Monday, September 21, 2009

Troy's Band: Lost Angels: Official Announcement


After months of negotiations, the lineup is intact and Lost Angels will officially be making their debut in India at the end of September.

Lost Angels features:

John Corabi (Motley Crue / The Scream / ESP / Ratt)
Troy Patrick Farrell (White Lion / Pretty Boy Floyd / Hookers & Blow)
Eric Dover (Sextus / Alice Cooper / Slash's Snakepit / Jellyfish / Imperial Drag) and
Muddy Stardust (Burning Tree / LA Guns / Gilby Clarke)

and will be performing songs from the bands they are affiliated with as well as a Rock Tribute to Michael Jackson.

The promoters Andrew Ropmay in alliance with the Event Factory (Dimapur) are also in negotiations for the appearance of a very special guest.

"They are still working out details to have a former original member of Guns N' Roses join the band for 2 shows in India" stated US Based Agent and drummer Troy Patrick Farrell.

The band will also be visiting the Zion Hospital as well as a Music School to discuss the ups and down of being a working touring musician.

The dates are as follows:

September 29 DDSC Stadium Dimapur, India
October 3 JN Stadium Shillong, India

The official website is: www.lostangelslive.com

Troy's Gig: Confirmed.


The Morung Express
On the evening of September 29, stars will rain on Dimapur’s wildlife that has been suffering a drought-like situation due to scanty big music shows. On that Tuesday, four names that ever found their way into the buzzing ears of millions of fans and rockers alike across the globe will sparkle – rather, rattlebang into your two eardrums good till they shrivel into smoked beef.

Guns N’ Roses / Heart guitarist Gilby Clarke, Alice Cooper / Slash’s Snakepit singer / guitarist Eric Dover, noise-pounder for White Lion / Hookers & Blow / Fastmaster Troy Patrick Farrell and another trusted Clarke accomplice, bassist Muddy Stardust.

Yes, them. Yeah. Them.

This unusual assembly of some of America’s biggest and long-devoted curators of the '80s hard rocking era will be performing Dimapur District Sports Complex as part of an aid drive meant for the city’s children suffering from cleft-lip and deformed palates. The noble vision of the four mostly-from LA rock stars, means that the proceeds of the more than one Lakh watt sound-output hard rock explosion would also go toward assuaging a little of the little ones’ suffering. It was informed today that the show would enable funding Zion Hospital to fund the welfare of the affected children.

Opening the evening for the group will be Lui Tzudir’s OFF and another horde of confirmed noise-mongers from Kohima, Eximious. The show is being organized by a well-known group of young entrepreneurs, The Event Factory. But The Event Factory’s members promise that the once-in-a-lifetime-show will not be confined to the concert. On the 28th, Clarke, Dover, Farrell and Stardust will be holding an interactive session with local musicians (come with your guitars, shirts and at least 20 pairs of good Marker pens) in Dimapur. The interaction is scheduled for Highway-39 Conference Hall (Padam Pukhuri). A similar foray is expected, before the September 29 evening, with children who are living under the scar of facial deformities.

Considering that the four rockers have been associated with one of the biggest hard rock bands the early angst-ridden, nasty-tempered '90s ever retched up, Guns N’ Roses, the song-list is expected to have you screaming along ‘knowingly,’ conveniently.

Also, hard-bitten music lovers would remember the unforgettable evening of December 16, last year when Nagaland finally opened her account on the Rock-Map-Of-The-World Register with White Lion inaugurating Nagaland’s entry into the international music scene.

What the September 29 evening promises is one of pure energy rock music, from noise-tested and time-proven rockers of thoroughbred rock stars. For a state that is only just starting to feel the tingle of international music experience, it would be unfortunate pettiness to miss out on the experience.

For those who came in late, here’s a refresher.


Guitarist Gilby Clarke was with Guns N’ Roses for three years as the rhythm guitarist, replacing Izzy Stradlin. He toured extensively with the band on the mega-big Use Your Illusion Tour between 1991 and 1993 and on the Guns N’ Roses all-covers album The Spaghetti Incident?, Live Era: ‘87-’93 and Greatest Hits. Here’s a thinker: Gilby’s first video with Guns N’ Roses was "November Rain."

Eric Dover is the dude with Jellyfish, Slash’s Snakepit, and Alice Cooper. He was on Alice Cooper’s Brutal Planet tour in 2001, 2001’s Dragontown, and Alice Cooper.

Troy Patrick Farrell is the quiet drummer who made the loudest noise when White Lion did Dimapur in December 2008. He is involved in several projects including Dizzy Reed’s band Hookers & Blow and most recently plated with CC Deville (original guitarist of Poison).

Muddy Stardust has been accumulating tour dusts with Gilby and is associated with a number of Indie projects. For someone who cites Bob Dylan, Neil Young and the Beatles as chief influences, Stardust is a mean bassist that has bulldozed LA’s hard rock scene with Clarke’s horde.

The Morung Express

Related posts: "Troy" Shoots Down India Rumors
The Asian Age: GN'R to Perform in India
Guns N' Roses in Dimapur

Tuesday, August 18, 2009

Slash Ranks #2 Among World's Top 10 Electric Guitar Players


Time Magazine's list of "10 Greatest Electric Guitar Players" named Slash number two, just behind Jimi Hendrix.

1. Jimi Hendrix

The greatest of all time? Maybe. No one merged the blues, rock and psychedelia with as much ease, or wielded his guitar with as much charisma.

2. Slash
A remarkably precise player who had to put up with more crap from his lead singer than any guitarist on this list. Does he make the cut partially because of the hat? Yes. Yes he does.

3. BB King
He doesn't call his guitar Lucille to be cute. With King's emphasis on vibrato, she sounds like a real woman singing the blues.

4. Keith Richards
The most notable of Chuck Berry's many disciples is also the creator of more memorable riffs—"(I Can't Get No) Satisfaction," "Jumpin' Jack Flash," "Gimme Shelter," "Start Me Up," etc.— than anyone in rock and roll.

5. Eric Clapton
Fluent in every blues style, Clapton is probably best known as the king of the Tulsa Sound. He's also among the most melodic of guitarists, using his solos to move a song along instead of stopping it cold.

6. Jimmy Page
Page's guitar sounds like six guitars, and the heaviness of his right hand is key to the instant recognizability of Led Zeppelin's sound.

7. Chuck Berry
The father of rock and roll guitar, his staccato influence is still heard on most songs today.

8. Les Paul
An amazingly talented guitarist, Paul had a series of futuristic sounding hits in the 1950s. But his music has been superseded by his invention: Paul pioneered the design and construction of the modern electric guitar, which made everyone else on this list very rich.

9. Yngwie Malmsteen
The Swede's superfast "neo-Classical" style —he credits Bach and Paganini as influences—is a blur of scales and technical precision. It almost makes you forget that the great bulk of his music is so fast that it's unlistenable.

10. Prince
He does a little singing, but Prince also plays a mean lead guitar. The solo on "Let's Go Crazy" is a frequently cited example of his frenetic style, but covers of "Just My Imagination" and "While My Guitar Gently Weeps" prove he can also play under control.

11. Johnny Ramone
No one hated guitar solos more than Johnny Ramone, so it's not surprising he perfected the Punk style, packing chords together tightly and leaving no space for freelancing.

TIME

Friday, August 14, 2009

Les Paul: A Total Fuckin' Maverick


Yesterday after learning of Les Paul's death at 94 years old, LA Weekly caught up with Slash, a guitar legend in his own right, for an exclusive chat about the loss of not only a brilliant musician and innovator, but also a friend and mentor. "It's important for kids to know who Les was because when I first started playing, I thought Les Paul was the name of a guitar," Slash says of the days before he was schooled by other players like Jimmy Page, Jeff Beck and Eric Clapton on who Les Paul - the man - was. Eventually the two icons met, Paul took Slash under his wing, and they became fast friends. Slash remembers Les Paul as a "total fuckin' maverick" who was upbeat and funny, both polite and perverted, and who lived life to its fullest.

Slash: So, with Les...

LA Weekly: Yeah, sad day.

Slash: Les Paul invented the guitar that I use. The first guitar I ever got was a Les Paul copy [laughs]. First and foremost, he's an amazing fucking musician and jazz guitar payer, but he also invented a whole bunch of recording techniques that we use: reverb, multi-tracking, overdubbing, echo, delay ... He invented them because they didn't make them back then. He thought he needed different things so he built them. He was a total fuckin' maverick. He was awesome. I've known him since 1991. The first time I met him I jammed with him at the club where he had a residency, Fat Tuesdays, in New York. Meeting and jamming with an icon like that was pretty overwhelming. He promptly just wiped the stage floor up with me [laughs], you know? It was one of those humbling experiences. But he sort of took me under his wing after that and we became friends. I would always gauge my progress as a guitar player by how well I did jamming with Les on any given day. [Laughs] He was like the barometer for my evolution as a guitar player.

It's an honor for me to have Les Paul models with my name on it. He's going to be missed. He was such a great guy, really warm, funny, very to the point, didn't mess around, didn't mince words, but had a really great heart and tons of energy. He was one of those people that set out to do something and accomplished things. He didn't sit around and wait for things to happen; he just went for it. He lived to be 94, always stayed true to his school as a musician, and kept inventing the whole time. He was a landmark influence on all us young musicians [laughs]. One of the reasons Jeff Beck, one of my favorites, is such a bitchin' guitar player is because he was so heavily influenced by Les Paul. I'm just paying tribute to the guy.

LA Weekly: Are there any particularly memorable moments that stand out above the others from when you'd hang out or jam together?

Slash: I just had a gig with him at the Rock and Roll Hall of Fame a few months ago, a tribute to Les Paul, where a dozen guitar players all got together and jammed and then Les played at the end of the show. It was really one of those special events where some phenomenal guitar players got together and each one of them did their own little show, [laughs] including myself ... it was another humbling experience ... and when all that was done, Les got up there. And this is only a few months ago, so at 94 years old he gets up there and makes jokes into the microphone and has his whole band with him and fuckin' plays phenomenally. For the last 60 years he's had this major influence on guitar playing and the recording industry. So there he is, this little guy, so fuckin' full of life and vibrant and doesn't seem 94 years old, jamming out to this huge audience. It was really a special moment ... it's hard for me to verbally explain it. Les was the kind of guy that anytime you were in his presence, he was always very upbeat, always cracking jokes, always making comments about the women present ...

Very polite but very perverted at the same time, you know? [Laughs] The fact that he took a liking to me and took me under his wing was a huge honor. We always talked on the phone and that kind of stuff. It was special. It's important for kids to know who Les was because when I first started playing, I thought Les Paul was the name of a guitar. I didn't know it was a real person until I learned from guys like Jimmy Page and Jeff Beck and Eric Clapton. Obviously from that point on I researched and then finally got to meet him. Kids nowadays don't even really know that kind of history but it's important to have an understanding of that delay pedal that you're using and where the original concept came from [laughs]. Whenever you hear guitar harmonies recorded, like Brian May used to record harmonies on all of Queen's records, that was all Les Paul stuff. He invented the technique where you could layer guitars. Before that people just had to play live and that was it.

LA Weekly: Yeah. It's a sad day but for someone that lived such a full life ...

Slash: Yeah, it's a drag that he's not here. I would have loved to have seen him again but at the same time he was such a great example of a life fully lived that everybody should just celebrate the fact that a human being could have such a great life and accomplish so much. You can never complain about being bored when you think about a guy like Les Paul, you know?

LA Weekly

Tuesday, August 11, 2009

Sweet Child O' Mine Voted Greatest Guitar Riff


Guns N' Roses anthem "Sweet Child O' Mine" has been named the Greatest Guitar Riff in a new poll by Asian News International.

Eric Clapton's 1971 hit "Layla" came second in the poll of 5,000 music lovers.

Aerosmith's "Walk This Way" landed the third spot while Michael Jackson's "Beat It" came fourth.

Motorhead's "Ace Of Spaces" rounded out the top five.

The top ten are:

01. Guns N' Roses - "Sweet Child O' Mine"
02. Derek and the Dominoes - "Layla"
03. Aerosmith - "Walk This Way"
04. Michael Jackson - "Beat It"
05. Motorhead - "Ace Of Spaces"
06. The Jimi Hendrix Experience - "Voodoo Child (Slight Return)"
07. Queen - "Another One Bites The Dust"
08. Nirvana - "Smells Like Teen Spirit"
09. Deep Purple - "Smoke On The Water"
10. Green Day - "American Idiot"

The Sun

Friday, August 7, 2009

Andrew Stockdale Songwriting on Slash's Solo Album


Slash is getting ever so close to the completion of his highly anticipated solo album, which will feature a wide range of guest musicians like Ozzy Osbourne, Avenged Sevenfold's M.Shadows, Blink 182's Travis Barker, Black Eyed Peas vocalist Fergie, former Guns N' Roses bandmate Izzy Stradlin, Red Hot Chili Pepper bassist Flea and Ronnie Wood of The Rolling Stones.

Slash's album is also being produced by Eric Valentine (Good Charlotte, Queens Of The Stone Age) and features prominent contributions from former Jane's Addiction bassist Chris Chaney and former Nine Inch Nails and Guns N' Roses drummer extraordinaire Josh Freese.

It was also recently revealed that Slash did some songwriting with guitarist Andrew Stockdale of Wolfmother for a song that was recorded after a recent Wolfmother recording session in Los Angeles.

"Well he just reached out. His manager sent an email through and asked if I'd be interested and I was honored. Honored to play with Slash. So when we got to LA to make the Wolfmother record, after the session of doing Wolfmother songs Slash dropped in one night and we just sat there with an acoustic and went through the song."

Andrew also talked about Slash keeping him on his toes with his creative process and what an incredible experience it was for him.

"It was really, really like an incredible experience to write with Slash. He's a cool guy. He moves really fast too. His creative process had me on my toes. He's very alert with what he's looking for and how a song needs to move."

Ex-Queens of the Stone Age bassist Nick Oliveri has also recorded a guest appearance for the LP.

At the end of July, Slash announced on his twitter page that he is "winding down" and has 2 more songs to complete for the album that he hopes to release by the end of 2009. As of press time Slash hasn't confirmed if he will be touring in support of his solo album as his band Velvet Revolver continue their search for a lead vocalist.

ultimate-Guitar.com

Wednesday, July 15, 2009

Slash's Weekly Update (July 15)


Hey all, what's happening? Everything's good on this end. It has been a pretty productive summer so far. My record should be done next month & the recording has gone smoothly & sounds fucking great.

Steven Adler played on the 1st of the last 3 tracks yesterday, along with Flea on bass. The song kicks ass & the drums & bass sound so recognizable & sound so fucking good. Steven is staying clean, which is great, flea is just amazing, period. Steven, Flea & I all lived & met in the same neighborhood in West Hollywood back in the day. Yesterday, we had a great time reminiscing about when we all 1st started playing Rock & Roll & how school didn't fit into the plan, we were like 15. Flea was the 1st one to join an "established" band called "Anthem," I remember being envious. I had a band called "Tidus Sloan" but we didn't have a singer. Sound familiar? Steven & I didn't really have a band together until a few years later when we joined Nikki Sixx's old band "London" after Izzy left. Which, incidentally, was very short lived.

Izzy came down & played on a track a couple weeks ago, that sounds great too. It was good to see him, it's been awhile. Our guitars together really do have a sound all their own.

Besides having some friends of Eric Valentine's come down from Northern California & play cello & violin on a track, I haven't had any other guest musicians so far. Having Flea, Steven & Izzy play has been a real gas. There might be a couple more surprise musicians on this record I think.

The movie I scored while I was writing songs for my record last summer, "This is not a movie," is in it's final production stage & being shopped for distribution. I went to a closed screening of it at Warner Bros a couple weeks ago, its a really dark but funny movie, very indie & very raw. It really surprised me to hear/see it all put together. The score is awesome & almost entirely comprised of electric guitar. It gives the picture a distinct musical personality, which has many moods. Edward Furlong & Peter Coyote star in it, by the way & are phenomenal. Its funny, Edward Furlong was teenage delinquent "John Conner" being chased by the Terminator in "Terminator 2." His key scene was when he was escaping on his motorcycle to the tune of GnR's "You could be mine." Now he is staring in a movie that I did all the music for 18 years later.

The Norway gig happened & was a fucking blast. The band (Jason Bonham, John 5, Ted Andreadis & Franky Perez) was amazing & Ozzy, Fergie & Ronnie Wood were stellar to say the least. But, what really made the gig great was the crowd, they were pretty fucking fantastic. There is some talk of doing some more shows like that in the not too distant future, its too good of a time.

There's a lot of stuff coming up actually, all good. As it happens I will keep you up to date in as timely a fashion as I am capable.

Slash