01. Chinese Democracy [Live January 15, 2001] 02. Shackler [Buckethead] 03. Better [Antiquiet Leaks] 04. The Blues [Live December 2, 2002] 05. Sweet Child O' Mine [1999 Demo] 06. There Was a Time [2002 Demo] 07. Catcher in the Rye [1999 Demo] 08. The General [Clip] 09. Riad N' the Bedouins [Antiquiet Leaks] 10. Silkworms [Live January 15, 2001] 11. I.R.S. [1999 Demo] 12. Madagascar [Antiquiet Leaks] 13. Untitled Piano Piece [Making of Estranged Video] 14. Prostitute [Antiquiet Leaks]
Today marks the 10th anniversary of the release of "Oh My God," the first single of the Chinese Democracy / New Guns era.
10 years later, and what have we got? A few short tours. One album. A whole lot of empty promises. Dozens of missed opportunities, and a handful of scapegoats: Slash, Jimmy Iovine, Buckethead, and Merck Mercuriadis (to name a few).
10 wasted years.
That's my opinion. What do you think? How would you rate Axl's performance as Captain of the Guns N' Roses ship?
You can leave a comment at the bottom of this page.
And now, without any further ado, here's my third favorite Axl rose press release:
September 22nd, 1999
So here's the story behind this music
The chorus: OH MY GOD etc. deals with the societal repression of deep and often agonizing emotions - some of which may be willingly accepted for one reason or another - the appropriate expression of which (one that promotes a healing, release and a positive resolve) is often discouraged and many times denied. Emotionally the song contemplates several abstract perspectives drawing from personal expression as well as from the film (End Of Days) and its metaphors. The appropriate expression and vehicle for such emotions and concepts is not something taken for granted.
Musically the song was primarily written by Paul Huge over two years ago, with Dizzy Reed writing the musical hook of the chorus.
Former member Duff McKagan as well as former employee Matt Sorum failed to see its potential and showed no interest in exploring, let alone recording the piece.
When the demos were played for the new band, Josh, Tommy and Robin were as they say 'all over it.'
Once the opportunity was presented, the song was given priority in our recording process. As the verse, performance and lyrics were decided on, for us (that especially includes Interscope chairman Jimmy Iovine) the choice became obvious. We were more than pleased Mr. Roswell (the film's music supervisor) agreed! Our thanks to Arnold and all for the consideration - it is an association in which we have always felt honored.
Paul Huge, Gary Sunshine and Dave Navarro appear on the song as well as Robin Finck. Robin's part was written by Paul and extensively manipulated by our producer, Sean Beaven. Robin was not involved in the writing of the final recording though did participate in the arrangement. All lyrics were written by myself.
Additional programming (jack boots, screeching tires, etc.) was by Stuart White.
The fight of good vs. evil, positive vs. negative, man against a seemingly undefeatable, undeterrable, unrevealed destiny, along with the personal and universal struggle to attain, maintain and responsibly manage freewill can be and often is frustrating to say the least. In America our country's constitutional right to freedom of expression gives us a better chance to fight for that expression than many in other countries enjoy. It can be a big gig, like kickin' the crap outta the devil!
John over at Addictive Thoughts has written a sad and thought-provoking article addressing Axl Rose and Chinese Democracy. An excerpt follows.
In 1999, Axl Rose spoke with MTV’s Kurt Loder over the phone. Their discussion centered on the inevitable: the former rock star’s withdrawal from the public eye and the details of his pending record, 2000 Intentions, which Rose claimed had just received a new working title: Chinese Democracy.
Over the span of the following decade, these two words would take on an immeasurable notoriety and inadvertently come to represent the decay of the traditional music industry. If Guns N’ Roses’ early career – with the band’s all-time-best-selling debut album — was representative of the old industry’s peaks, Chinese Democracy would signify the final nail in its coffin.
One can’t help but wonder what, exactly, the effect of Chinese Democracy might have been if it had been released in 1999; after all, this was the year nu metal arguably hit its commercial zenith, with the likes of KoRn and Limp Bizkit roaring across the airwaves. (I need not point out how insufferable this era was.) Most classic rock bands were dead; the era of cash-grab reunions had yet to begin, since the grunge movement hadn’t exactly reinstated rock ideals; and some of the last groups of the alt-rock movement in the ‘90s were on the cusp of extinction. Legitimate rock n’ roll was, quite suddenly, in high demand.
If Rose had released it in 1999, before the age of Internet piracy and before the New York scene ostensibly brought back “real” rock n’ roll, his work could have lived up to its status. He could, indeed, have been remembered as not only the singular force in the resurrection of classic rock music, but even as the last true superstar prior to the downfall of the music industry.
Of course, that’s just wishful thinking. Expectations of quality aside, Chinese Democracy just doesn’t represent enough – it should have been an Event, but instead it’s just another album; a solid listen with intriguing songs whose longevity will mostly appeal to the pre-converted. And its mastermind, let’s face it, has proven his long-time doubters right: not only did he reveal that he never had a brilliant scheme brewing after all, but it seems he is no visionary – or at least not as visionary as we might have once been inclined to believe.
Where the Hell is Axl Rose? by Dave Everley, Kerrang! Magazine (21 August 1999)
Last month, a quarter of a million people gathered in a field in Upstate New York to witness Woodstock '99, a celebration of the 30th anniversary of the legendary hippy festival.
The lineup was astonishing: Metallica, Korn, The Offspring, Red Hot Chili Peppers and Rage Against the Machine were just a handful of the bands who played.
However, one band were noticeable by their absence.
In April, it was rumoured that Guns N' Roses were to be making their long-awaited comeback at the festival. After an absence of six years, it was suggested that GN'R were returning to preview songs from their equally anticipated new album.
And then, in typical Guns fashion, the whole thing fell through.
The rise and fall of Guns N' Roses is one of the most intriguing tales in the history of music. For six years during the late '80s and early '90s, they were the biggest band on the planet. To many, frontman Axl Rose was Guns N' Roses - a flame-haired wild card as enigmatic as he was unpredictable. It was partly his antics that led GN'R to be crowned "The Most Dangerous Band in the World."
And then they disappeared.
Or rather, Axl did.
While his bandmates were spotted out and about in LA or touring with their respective side-projects, Rose retreated to the solitude of his Malibu mansion. Once the most recognizable rock star on the planet, such was the effectiveness of his vanishing act that only one picture of him has been seen in the past six years.
Latigo Canyon road, a long and winding stretch of grey tarmac that runs through the barren, fire-scorched Malibu hills, leads to the home of Axl Rose. Although it is possible to walk up the road, the huge security gates that stand in front of the singer’s residence make it clear that visitors are not welcome.
According to insiders, Axl rarely emerges from his house, and when he does it's only to buy sundries at the beach-side shopping malls in the presence of his matronly housekeeper.
Over the past six years, Rose’s public appearances have been few and far between. In April 1996, he turned up backstage at a Red Hot Chili Peppers concert at the LA forum. "He'd cut his hair short and grown a beard", recalled Chili's drummer Chad Smith. "I didn’t recognize him."
Such was his anonymity that when Rose attended a Radiohead show he had to undergo a thorough body search by the venue's doorman. Three months later, in March 1998, he was spotted on the balcony of the Hollywood Palladium, watching Tool.
Sightings by members of the public are more common, though not always as reliable. In December 1997, Axl was reportedly seen at the Universal Film Studios in Los Angeles with a child and a Hispanic woman. Another sighting placed him buying popcorn at a cinema in Century City, Los Angeles, while further sources claim to have seen him as far afield as New York, apparently sporting black or brown hair that looked suspiciously like a wig.
Indeed, the only public sighting that can be properly verified occurred in February 1998, when he was arrested in Phoenix, Arizona, for disorderly conduct at the local airport.
Rose's trial took place exactly one year later. He didn't attend the hearing, and was fined $500 in his absence. A police photo taken at the time of his arrest shows him with short hair and Five o'clock shadow. This is the last picture anyone outside of the Guns camp has seen of him.
Details on new GN'R material are equally vague. Those working on the album have been sworn to secrecy about its contents and the working methods surrounding it. What we do know is this: Sometime between 1993 and 1997, Axl jettisoned virtually all of the other members of Guns N' Roses. Guitarist Gilby Clarke was the first to go ("the cheques just stopped", he claimed afterwards. "I took that as a hint."), followed by Slash, Duff McKagan and drummer Matt Sorum.
In their place Axl began working with a series of "name" musicians, including former Ozzy Osbourne guitarist Zakk Wylde, Nine Inch Nails drum programmer Chris Vrenna, ex-Pearl Jam drummer Dave Abruzzese and even original Gunner Izzy Stradlin.
Between 1994 and 1998 these various lineups rehearsed at LA recording studio The Complex, where they would work 10 hour shifts running from 9PM to 7AM.
By April 1998, the lineup had finally settled down and the band were said to be making their first tentative steps towards actually recording a new album. As well as Axl and long-standing keyboard player Dizzy Reed, GN'R also featured guitarists Paul Huge (a buddy of Axl's from Indiana who played on the Gunners' last recording, their cover of "Sympathy for the Devil" for the Interview with the Vampire soundtrack, and the man largely blamed for Slash's departure), and former Nine Inch Nails man Robin Finck, ex-Replacements bassist Tommy Stinson and Vandals drummer Josh Freese. Production duties were being handled by Marilyn Manson / Pantera associate Sean Beavan, after Axl had approached Appetite for Destruction producer Mike Clink, Killing Joke bassist Youth and techno guru Moby.
Over the next 12 months, the band apparently recorded 30 songs for the album, continually reworking them. Tracks recorded were said to include "Prostitute," "Cock-a-Roach Soup," "This I Love," "Suckerpunched," "No Love Remains," "Friend or Foe," "Zip It," "Something Always," "Hearts Get Killed" and "Closing in on You." Depending on who you believe, they veered from techno-industrial rock to old-style Guns sleaze.
Matt Sorum revealed Axl's love of samples and loops; contrarily, Chris Vrenna stated: "I have a feeling it's gonna be more like Appetite, than anyone is expecting."
When the Sex Pistols were rehearsing for their 1996 reunion tour, Pistols main-man John Lydon claimed to have heard "some folky nonsense" emanating from the next room, only to discover it was actually Axl and Co., hard at work. Basketball-player-turned-rapper Shaquille O'Neal supposedly appears on one track, after befriending Axl while recording in the same studio.
Interestingly, sources even suggested that the album already had a title - possibly Cockroach Soup or, more realistically, 2000 Intentions.
And then ... nothing.
August 1999, and there is still no sign of a new Guns N' Roses album. The band's record company, the Polygram / Universal group, say that they have tentatively scheduled its release for the end of this year, although sources admit that it has been on the schedules several times before and the band have consistently failed to meet deadlines.
Speculation has mounted that Rose has forced the band to re-record the entire album three times, and that the process has already cost more than a million dollars. One certainty is that Robin Finck has left the band and returned to Nine Inch Nails. The guitarist had signed a contract to join GN'R for two years; when it expired earlier this month, he had done nothing other than record guitar parts that have yet to see the light of day.
However, earlier this month, the rumour mill sprang into action once more regarding a "new" GN'R song.
The closing credits of the Adam Sandler movie Big Daddy features Guns' classic "Sweet Child O' Mine." Halfway through, it segues into what appears to be a completely different version of the same song with Axl’s original vocals over the top. The most common theory is that the latter was recorded by the most recent lineup, although no one seems to be able to confirm or deny that fact. Moby has added further fuel to the fire, claiming that there is a completed version of the album and suggesting that Axl should simply release it immediately, regardless of circumstances.
Whether that happens or not is in the hands of Axl Rose. Hidden away in his Latigo Canyon retreat, he’s fully aware of the pressure to deliver something truly spectacular - something that will return GN'R to their position as the biggest band on the planet. The last six years have offered only rumour, gossip and hearsay, both about the band and Axl himself. Some of it is feasible, some is downright ludicrous. But separating truth from fiction is only one part of the puzzle. The big question is: what will Axl Rose do next? And at the moment, there’s only one man who can answer that ...
